Test: D
igitale Vorstufe/Endstufe Perreaux Audiant DP
32
und
100
p
Der ist schwer in Mode: Der große ESS-DAC
macht viel vom Klangcharakter des DP32 aus
A u f d e r a n d e re n S e it e : w e n n m a n s ic h
d ie s e n A m p m a l v o n in n e n a n s c h a u t
w u n d e r t m a n s ic h k a u m n o c h , w ie d ie
z w e im a l 1 0 0 W a t t z u s ta n d e k o m m e n ,
d ie e r a u s d e m Ä r m e l s c h ü t t e lt , o h n e
u n g e b ü h r lic h h e iß z u w e r d e n - a n a c h t
O h m w o h lg e m e r k t . B is k u r z v o r s e i-
n e r C lip p in g g r e n z e is t e r n ic h t d a z u
z u b e w e g e n , V e r z e r r u n g e n z u p r o d u -
z ie r e n , a u c h s e in e a n d e re n L a b o r w e r t e
w ie R a u s c h a b s t a n d u n d D ä m p fu n g s -
f a k t o r s in d e x z e lle n t . D ie s e s s c h w e -
re , d e n n o c h h ü b s c h e u n d d o c h r e c h t
k o m p a k t e
A lu b r e t t
is t
e in e
a b s o lu t
u n b e s te c h lic h e B a s is f ü r a lle s , w a s m a n
h in t e n a n s c h lie ß t . U n d d a s , w a s s ta n -
d e s g e m ä ß v o r n d r a n h ä n g t , d e r A u d i-
a n t D P 3 2 u m k o n k r e t z u s e in , lie f e r t
z w e ife ls o h n e d a s z u m V e r s t ä r k e r p a s -
s e n d e , h o c h r e in e S ig n a l. E r is t e b e n so
p ie k fe in a u fg e b a u t w ie s e in V e r s t ä r k e r -
K o lle g e , d a is t v ie l P la t z z w is c h e n d e n
B a u t e ile n , d ie m it o r d e n t lic h e n L e i t e r -
b a h n e n v e r b u n d e n s in d . U m d e n E m p -
fa n g d e r U S B - D a t e n k ü m m e r t s ic h d e r
b e k a n n te u n d s te ts e in w a n d fr e i s e in e n
D ie n s t v e r r ic h t e n d e X M O S - R e i c e iv e r ,
d e r f ü r a s y n c h r o n e V e r b in d u n g z w i-
s c h e n C o m p u t e r u n d D A C s o rg t u n d
b is 1 9 2 k H z in 2 4 B i t a lle s v e ra rb e ite t,
w a s r e in k o m m t u n d p e r I 2 S (m e in e r
L ie b lin g s - V e r b in d u n g s a r t ) w e it e r le it e t .
D e r W a n d le r v o m T y p 9 0 1 8 d e r d e m
V e r n e h m e n n a c h m o m e n t a n im m e r d ie
T o p - K la s s e a k t u e lle r W a n d le r m o d e lle
a u s ta tte n d e n F i r m a E S S is t n a t ü r lic h
e in e g u te W a h l - d e s s e n S t r o m a u s -
g ä n g e s in d b e re its s y m m e t r is c h u n d
k ö n n e n n a c h d e r U m w a n d lu n g in e in e
S p a n n u n g d ir e k t a n d ie e b e n so s y m -
m e t r is c h e V o r s t u fe g e g e b e n w e r d e n .
D i e L a u t s t ä r k e w ir d ü b rig e n s a n a lo g
g e re g e lt, e in h o c h w e r t ig e s P o t i s te llt
d a z u ü b e r e in e so k u r z w ie m ö g lic h
g e h a lte n e V e r b in d u n g d ir e k t d ie A u s -
g a n g s v e rs tä rk u n g
e in .
D e m
N u t z e r
b le ib t
d ie W a h l
z w is c h e n
s y m m e t -
r is c h e m
u n d
a s y m m e t r is c h e m
A b -
s c h lu s s , e in k le in e r S c h a lt e r z w is c h e n
d e n B u c h s e n le n k t d a s S ig n a l a n d e n
e n ts p re c h e n d e n A u s g a n g . D i e z u b e -
v o r z u g e n d e A n s c h lu s s a r t is t n a t ü r lic h
d ie s y m m e t r is c h e , d ie a u c h t a t s ä c h lic h
n o c h e in p a a r F e in h e it e n d e r M u s ik
h e r a u s s c h ä lt, d ie a u f a s y m m e t r is c h e m
W e g v e rb o rg e n b le ib e n . D i e L a u t s t ä r -
k e re g e lu n g is t ü b rig e n s a u c h d e a k t i-
v ie r b a r , fa lls S ie b e r e its e in e h o c h w e r -
tig e V o r s t u fe h a b e n u n d d e n D P 3 2
a ls r e in e n W a n d le r e in s e t z e n m ö c h -
t e n . A b e r ic h k a n n Ih n e n e in s s a g e n :
A l s V o r s t u fe fin d e ic h d e n D P 3 2 s e h r
g u t g e e ig n e t u n d w ü r d e d a g a r n ic h t
a u f d ie Id e e k o m m e n , e tw a s a n d e re s
d a n e b e n z u s te lle n . D i e b e id e n p a s s e n
d o c h s c h lie ß lic h so s c h ö n z u s a m m e n .
U n d s t im m ig is t d ie s e K o m b i, d e n n
b e id e v e r k ö r p e r n K r a f t , E n e r g ie u n d
S p ie lfr e u d e - a u c h e in z e ln b e tr a c h te t .
U n d in K o m b in a t io n la u fe n d ie b e id e n
d a n n z u r H ö c h s t f o r m a u f. D a n n m a -
c h e n sie v o r k a u m e in e m L a u t s p r e c h e r
H a l t u n d h o le n e in e x tre m h o h e s M a ß
a n M u s ik a lit ä t a u s d e n S c h a lt k r e is e n ,
d a s is t s c h o n t o ll. I c h m a g j a H i F i , d a s
e tw a s k n a c k ig e r u n d le b e n d ig e r k lin g t .
U n d g e n a u d a s b e k o m m t m a n h ie r . D e r
V e r s t ä r k e r k o n t r o llie r t so z ie m lic h j e -
d e n L a u t s p r e c h e r b e d in g u n g s lo s . I c h
k o n n t e g lü c k lic h e r w e is e e in ig e G r o ß -
k a lib e r
d u r c h te s te n ,
d ie
g e ra d e
f ü r
u n s e r L a u t s p r e c h e r - J a h r b u c h im H ö r -
ra u m p a ra t s ta n d e n , u n d e g a l w e lc h e n
L a u t s p r e c h e r ic h a u c h n a h m , e r w u r d e
v o m A u d ia n t - A m p s o u v e rä n m it k n a -
c k ig e n K lä n g e n v e rs o rg t. T o n a l s p ie lt e r
e b e n fa lls e in w a n d f r e i, s e in e r ä u m lic h e
D a r s t e llu n g is t s a u b e r, d ie R a u m t ie -
fe u n d - b r e ite fa n d ic h ü b e rz e u g e n d .
U n d s e in P a r t n e r ? D e r k a n n ä h n lic h e
Q u a lit ä t e n
v o r w e is e n .
D i e
m e is te
Z e i t h a b e ic h n a t ü r lic h ü b e r U S B m it
m e in e m e ig e n s f ü r H ö r z w e c k e e in g e -
r ic h t e t e n J P p la y - P C g e h ö r t u n d h a b e
m ic h s p o n ta n ü b e r d a s s e h r h o h e A u f -
lö s u n g s v e rm ö g e n u n d d ie s a tte n B ä s s e
g e fre u t. A u c h w e n n ic h je t z t n ic h t u n -
b e d in g t d e r g rö ß te F r e u n d d e s G e n -
re s b in , h a b e ic h n a t ü r lic h a u c h m a l
a k t u e lle n (u n d n a t ü r lic h im m e r h ig h -
e n d ig e n ) J a z z a b g e s p ie lt, w a s m it d e n
b e id e n N e u s e e lä n d e r n im R a c k e in e
r ic h t ig g u te Id e e is t , d e n n d ie b r in g e n
e c h t L e b e n in d ie B u d e u n d s o rg e n d a -
fü r, d a ss d ie m e is t e n A u f n a h m e n e in
b is s c h e n F a r b e in s G e s ic h t b r in g e n ,
a n s ta tt je d e n F e h le r „ g n a d e n lo s z u e n t-
h ü lle n “ , w ie es d e r R e d a k t e u r so g e rn
s a g t. M u s i k k lin g t id e a le r w e is e im m e r
g u t u n d m a c h t v o r a lle m r ic h t ig S p a ß -
P e r r e a u x
A u d i a n t D P 3 2
P re is :
um 2 .7 0 0 Euro
V e rtrie b :G e n u in Audio V e rtrie b , C o ttb u s
Telefon:
0 3 5 5 3 B 3 7 7 B 0 B
In tern et:
w w w .g enuin-aud io .de
B x H x T:
4 3 1 x 6 7 x 3 0 5 m m
Eingänge:
2 x S /P D IF R C A
2 x S /P D IF To slin k
1 x A E S /E B U
1 x U S B (asynchron, bis 192 kHz, 24 Bit)
1 x analog R C A
1 x analog X LR
A u sg än g e:
1 x analog R C A + 1 x Line-out
1 x analog X LR
P e r r e a u x
A u d i a n t 1 0 0 p
• P re is :
um 2 .5 0 0
Euro
• B x H x T:
4 3 1 x 6 7 x 3 0 5 m m
• Eingänge:
1 x analog
R C A
1 x analog X LR
H iF i
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„D as kann es in Sach en M u sik se rve r für
Sie g ew esen sein . Sow ohl Bedienkonzept
a ls auch O ptik und K lan g q ualität sind beim
A u re n d e r S 1 0 so a u sg e re ift, w ie ich es in
se in e r G e sa m th e it selten g esehen habe.
So g esehen is t e r fa st a ls g ünstig zu be-
zeich nen ."
< / c h e c k s u m >
30
